How Derek and The Dominos’ Historic Layla Sessions Birthed A Classic (2024)

The sessions at which Derek and The Dominos recorded their album have become known as the Layla Sessions. This is the story of how it happened.

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Richard Havers

How Derek and The Dominos’ Historic Layla Sessions Birthed A Classic (1)

Photo: Michael Ochs Archives/Getty Images

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From The Roosters to the Yardbirds, John Mayall’s Bluesbreakers, Cream, Blind Faith, and Delaney and Bonnie; Eric Clapton had certainly gotten around prior to forming his new band in early summer 1970. When this new band played their first gig at London’s Lyceum in the Strand on Sunday, June 14, they hadn’t quite got around to giving themselves a name, that is until just before being introduced on stage – Derek and The Dominos… it has a certain ring to it.

The other three members of the band – Bobby Whitlock on keyboards, guitar, and vocals; bass player Carl Radle; and drummer and occasional pianist Jim Gordon – had all played together in Delaney and Bonnie’s band and all are on the album, Delaney and Bonnie On Tour With Eric Clapton that was recorded in South London in December 1969 and released in March 1970.

Listen to Layla And Other Assorted Love Songs here.

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All four musicians also worked with George Harrison on his All Things Must Pass album and, earlier in the day of their debut concert, they were at Abbey Road for a Harrison session when they cut “Tell The Truth,” which actually became Derek and The Dominos first single release in September 1970. The B-side of this single was “Roll It Over,” another recorded at an ATMP session and this included the former Beatle and Dave Mason of Traffic on guitar and vocals.

Following their London debut, the band spent time rehearsing before embarking on a UK tour that opened at The Village Blues club in Dagenham Essex, not one of Britain’s most prestigious venues. For the next 22 days, they crisscrossed the country playing 18 gigs, ranging from London’s Speakeasy Club to The Black Prince Pub in Bexley Kent and The Penthouse in Scarborough in Yorkshire; there was even a side trip to Biot in France for a lone cross-channel gig.

During July and while the band was touring, Robert Stigwood, the band’s manager, was busy arranging the band’s recording for their debut album. He called Tom Dowd who was working on The Allman Brothers sessions for Idlewild South and told him that the band wanted to come to Florida to record at Criteria Studios in Miami.

Less than a week after their last gig in Plymouth’s Van Dike Club, Clapton, Radle, Whitlock, and Gordon were in studio A at Criteria ready to get down to business. On the evening of August 26, Clapton and the others had been invited to an Allman Brothers concert at Miami Beach Convention Center. As Clapton watched Duane play for the first time, Clapton was hooked. After the gig, the two bands headed back to Criteria and jammed for hours.

On Friday, August 28, the sessions for Layla and Other Assorted Love Songs began in earnest. Joining the other four musicians for the next week or so of recording was Duane Allman, who was thrilled to be playing with Clapton. The first song they recorded was Clapton and Whitlock’s “Tell The Truth” – a far more assured version than their earlier effort.

Tell The Truth

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There was no recording on Saturday, but on Sunday and for the next five nights, there was some intense activity, intense because on September 4, Duane had a gig in Milwaukee with the Allmans. On Sunday night, the session was underway, and despite Tom Dowd’s orders to keep the tapes running at all times, someone had screwed up and it was only Dowd rushing back into the control booth from the men’s room shouting, “Turn the faders up” that preserved the brilliance of the cover of Big Bill Broonzy’s “Key to The Highway.”

Monday produced “Nobody Knows When You’re Down and Out” and “Why Does Love Got To Be So Sad.” On Tuesday, Clapton and Whitlock’s, “Keep On Growing” was laid down. Wednesday, “I Looked Away,” “Bell Bottom Blues” and a cover of a Billy Myles song, made famous by Freddie King, “Have You Ever Loved A Woman.” King was one of Clapton’s favorite blues guitarists.

Thursday was the last day that Duane Allman was available and the band nailed, “I Am Yours,” “Anyday,” and Chuck Wills’s “It’s Too Late.” On Friday and Saturday, with Duane away, the rest of the guys concentrated on overdubs for everything they had so far recorded, barring “Key to The Highway” and “Nobody Knows When You’re Down and Out.”

After the Allman Brothers Milwaukee gig, they played another at Jolly’s Place in Des Moines on September 6, after which Duane flew back to Miami so that the last few songs could be completed. On Wednesday. September 9, there were also overdubs to be done and the five musicians, who by this time were all in the proverbial zone, together tackled “Little Wing” and “Layla.”

“Little Wing” is the band’s tribute to Jimi Hendrix who recorded it on his Axis: Bold As Love album in 1967. The playing is tight on this one, which belies the fact that Whitlock later recalled he had never heard the song before they cut it and had the words laid out on top of his organ so he could sing them. (Nine days later Hendrix died at the Samarkand Hotel, in London’s Notting Hill.)

And then there’s “Layla.” Clapton was inspired to write the first part of the song after receiving a copy of The Story of Layla and Majnun by Persian classical poet Nizami Ganjavi. As we now know, it’s Clapton’s love song to Pattie Boyd, who at that time was married to George Harrison. She later married Clapton in 1979.


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It is also a song of two halves. The first half was recorded by the band on 16 tracks including multi-layered guitars by Clapton and a single track of Allman’s solos. After laying down his song, Clapton returned to the studio to hear Jim Gordon playing a piano piece that he immediately loved and decided he wanted to add it to “Layla” to complete the track.

For the last session for the album, it seems somehow appropriate that it should be the delicate “Thorn Tree In The Garden,” a Bobby Whitlock song, which he also sings. It’s a poignant and fitting closer, like the morning after the party when there is peace and quiet imbued with a reflective air.

After wrapping up the sessions, Clapton, Whitlock, Radle, and Gordon headed back to the UK to begin an extensive bout of touring beginning at Croydon’s Fairfield Halls, in South London on September 20. Between then and September 28, they played eight UK dates and another in Paris. However, according to the tape boxes for the Layla sessions, there were sessions in Miami at Criteria on October 1 where they overdubbed “Layla” and “It’s Too Late” and, on the following day, Clapton, Allman, and Gordon cut a version of Little Walter’s “Mean Old World.”

October 1 was a Thursday… and on that day Derek and The Dominos, were 4,400 odd miles away from Florida in the south of England playing a gig at Swindon Town Hall. So what is the story here? Could it be that they flew to Miami during their two days off on September 29-30 and the boxes were labeled a day or so later? Whatever the answer, the result is one of the most impressive albums of the 70s.

To mark the 50th Anniversary of Layla And Other Assorted Love Songs, the original album has been given the half-speed mastered treatment by Miles Showell at Abbey Road Studios.

The 2CD deluxe includes the original album ‘Layla And Other Assorted Love Songs’, alongside a disc of bonus material.

Derek And The Domino’s Layla And Other Assorted Love Songs can be bought here.

How Derek and The Dominos’ Historic Layla Sessions Birthed A Classic (2024)
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