Theme Park Vs. Amusem*nt Park: Is There a Difference? (2024)

Theme park or amusem*nt park? Have you ever wondered whether there is any difference between the two terms?

Some might argue it's one of those you-say-tomato-and-I-say-tomahtothings. However, park fans (a group of which we are proud members) beg to differ. There aredifferences, but they can be subtle, and there is often plenty of overlap. Before we call the whole thing off, let's parse the terms and shed some light. You might want to fasten your seat belts and lower your lap bars; we could be in for a bumpy ride.

What's the Story with Theme Parks?

"To all who come to this happy place, welcome. Disneyland is your land." When he uttered those words in 1955 at the grand opening of Disneyland, Walt Disney ushered in a new era of entertainment. Most would agree that the California park is the original theme park and serves as a template for all the theme parks that have followed.

The basic formula that Disney pioneered was to take the common rides found at amusem*nt parks—roller coasters, flat rides, carousels, dark rides, and the like—and usethem to tell stories. That is the essence of a theme park. By incorporating whimsical architecture, color, landscaping, characters, and other elements, park visitors become part ofstories rather thanpassive passengers onmechanical rides.

Further, Disney divided his park into themed lands, and created the attractions within those lands to tell a larger story. Instead of experiencing one overriding theme, Disneyland guests cantravel toFrontierland, Tomorrowland, Fantasyland, and other fantastic places. By using the storytelling techniques his filmmakers mastered, including music, lighting,composition, and framing,and adapting them to three dimensional spaces, Disney was able to immerse(a term that park designers frequently embrace)his guests in all-encompassing adventures.

Sometimes, as with Peter Pan's Flight orThe Amazing Adventures ofSpider-Man, theme park attractions telllinear stories and use established characters. Other times, as withToy Story Mania!, the narratives areless defined, but the attractions stillstick with specific themes and use storytelling techniques—and, more often than not, dazzlingtechnology—to engage and delight visitors.

The level of immersion increased considerably when Universal opened the Wizarding World of Harry Potter. Instead of a single attraction within a generic land, the entire land is themed to one element—in this case Harry and his buddies. And everything in the land, including the food and merchandise, adheres to the theme. Even the employees play along with the Wizarding vibe. Disney responded with single-themed lands such as Cars Land, Toy Story Land, and Pandora – The World of Avatar. They are all lushly themed.

But Disney kicked it up a notch with the ultra-themed Star Wars: Galaxy’s Edge. Every last detail in the land is true to George Lucas’ mythology. Heck, even the signs for the cantina and the shops are in Aurebesh, the language of the Outer Rim territories. (Fortunately, you could download an app to translate the language you encounter in the land into English.

Examples of theme parks include: all of the Disney and Universal "destination" parks (which are open year-round, generally offer on-property overnight accommodations and other resort amenities, and attract vacationers from afar as well as those within driving distance), the SeaWorld parks, Busch Gardens Williamsburg, Sesame Place,Busch Gardens Tampa, Legoland California, and Legoland Florida, among many others.

Amusem*nt Park Thrills

On the other hand, amusem*nt parks generally skipany storytelling pretense and sometimes don't have any defined lands. They usually feature a random collection of roller coasters and other rides. Taking their cue from Chicago's 1893 world's fair, theWorld's Columbian Exposition,and its "Midway Plaisance" as well as New York's Coney Island and its boardwalk, amusem*nt parks typically present their rides along one or more midways. Instead of trying to immerse visitors in unified, themed experiences, the boardwalks usually offer rides, games, food concessions, and stores that have nothing in common.

Loud noises, including the screams of riders, help create high-energy environments.Thrills for thrills' sake and not to tell any larger story are a big part of amusem*nt parks. Even the "kiddie" rides, which go easy on the thrills, entertain their young passengers primarily with spinning and other action-filled experiences.

Examples ofamusem*ntparksinclude: Cedar Point, Lake Compounce, Knoebels, Family Kingdom, Dorney Park, and Wild Waves, to name a few.

What about Six Flags?

Manyplaces, in our estimation, fall into a gray area somewhere in between a theme park and an amusem*nt park. Six Flags, for example, describes its locations as theme parks. While the parks do include themed lands such as "Yankee Harbor" and "Yukon Territory," their design is often simple.The rides in each land usually offer little to no "theming." (Thatlast word, by the way, isindustryjargon and not anactual word.)

Major exceptions include Six Flags Fiesta Texas, which has a heavy emphasis on music, and The Great Escape, which retains manyremnants of itsorigins as a cute,fairy tale-themed park for young children. Then again, most of the other Six Flags parks may not have particularlywell-themed lands,but their DC Comics areas can be impressive and their Looney Tunes characters can be charming.

Some parks can surprise with individual attractionssuch as the highly themed Monster Mansion atSix Flags Over Georgia. Starting in 2015, Six Flags began openingsophisticated, Disney-likeJustice League: Battle for Metropolisrides.So, it's a mixed bag.Ingeneral, however, we would place Six Flags in the amusem*nt park category.

Even Early Amusem*nt Parks Included Storytelling

It gets murky elsewhere as well. Ohio's Cedar Point probably wouldn't object to our classification of it as an amusem*nt park, as we do above. However, along with many of its sister Cedar Fair parks, it does have a themed land filled with animated dinosaurs and a Snoopy-themed area that includes walk-around characters.

There were even hints of the theme parks to come in the World's Columbian Exposition, thepredecessorto modern amusem*nt parks. It included a grand White City with ornate neoclassical buildings and lovely grounds designed by noted landscape architectFrederick Law Olmsted. Coney Island, arguably the prototypical amusem*nt park, includedtheme park flourishes such as the Scenic Railway, an early roller coaster that included themed dioramas past which passengers rode, and an elaborate nighttime show that included simulated burning buildings and other effects.

Although Disneyland is generally acknowledged as the model for modern day theme parks, there are parks that preceded it that could also be called theme parks—or at least theme park-like. For example, there were parks with holiday themes, such as the circa-1952 (three years before Disney opened his park) Santa's Village in New Hampshire. It is still delighting families today with its compelling Christmas theme.

Dragons at Water Parks

Water parks figure into the debate as well. Could they be considered theme parks? Often, water parks will feature a single theme, such as pirates, hurricanes, or the Caribbean. Theirthemes might influence the landscaping, background music, names of slides, and other elements. But the rides themselves typically don't attempt to tell any stories.

That is changing, however, as some water parks add dark ride features to their attractions. For example, Schlitterbahn in New Braunfels, Texas offersDragon's Revenge. The uphill water coaster takes riders into a dragon's lair and pasta fire-breathing dragon projected onto a water screen.Universal's creative team, which has pioneered rides such asHarry Potter and the Escape From Gringotts, is usingsophisticated storytelling techniques atUniversal Orlando's water park,Volcano Bay.

The Moral of the Story

There are no federal guidelines or industry standards to determine what distinguishes an amusem*nt park from a theme park. And there are plenty of parks that straddle the line. In general, however, if its attractions attempt totell stories and are part of larger, unified themes, it's a theme park. If it is mostly a mishmash of rides and its primary goal is to deliver thrills, it's probably an amusem*nt park.